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Meet Averie. Founder | Creative Director | Photographer

Averie Ann is a wedding photographer, painter, interior stylist, and mother to a wildly imaginative seven-year-old named Auggie

She grew up by the sea in Australia, where light spilled through saltwater windows and stories were everywhere—in the wind, in the kitchen, in the silence between people. That sense of raw beauty still lives in her work.

Now she moves between the mountains of the Catskills and the wild hum of Jersey City, shooting weddings with the same quiet intuition she once brought to photographing live music. She watches, waits, and captures what’s real. Nothing posed. Nothing forced. Just the feeling of it all.

She leads a small collective of photographers and filmmakers who share her love for nature, film, and storytelling with soul. Every artist she works with has been chosen for their eye, their energy, and their ability to hold space gently.

Her images have appeared in Vogue, Brides, Nouba, Hello May, and her home was featured in Apartment Therapy. She shoots on both digital and film, but her heart belongs to 35mm and Super 8. She believes the best things aren’t polished. They’re lived in. Felt. True.

Averie is available for weddings and creative projects across the U.S., Australia, and Europe. She’ll be in Australia during July and August 2025, and in Europe throughout October.

At the center of it all is connection. That’s what she’s really after. Images that feel like memory. Photos that feel like you.

Artist Statement

I photograph love the way it really looks. Messy. Tender. Unfolding in glances and gestures. Bare feet on grass, hands brushing by accident, the quiet relief of finding your person in a crowded room.

I don’t care much for perfect. I care about what’s true. A father’s eyes welling up. A crooked boutonniere. A bride laughing with her mouth wide open. Those are the things people remember.

My job is to pay attention. To stand in the corner and notice the small things. The things that don’t announce themselves but hold the most weight. I try to disappear a little. Let people be who they are when they think no one’s watching. That’s when the good stuff happens.

I think of photographs as memory anchors. Not centerpieces or showpieces, but quiet holders of feeling. I want my couples to look back and say yes, that’s exactly how it felt.

Weddings can be loud. Chaotic. Sometimes overwhelming. But there’s always softness underneath. My work lives there.

It’s not about me. It never has been. It’s about building something that lasts. Something your children will hold in their hands someday. Something that reminds you, even years from now, that it was real. That you were there. That it mattered.